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- Capture one pro 12 keystone free |
Capture one pro 12 keystone free. {{course.currentLesson.title}}
The Tool is now split into two tabs, Guides and Sliders , making it easy to automatically apply corrections and as well as manually tweak the result afterwards, and Auto Keystone has been added for all camera models, allowing a swift and precise perspective correction of most images.
A comparison of the old Keystone toolbar, left, against the updated version, right. Let Capture One detect and correct the perspective automatically. The result is a swift automatic correction with high precision. By default, Auto Keystone will correct Vertical Keystone. This can be changed by simply selecting one of the other two guide modes to activate the cursor tool. Auto Keystone works on batches of images. Auto Keystone can also be triggered from the regular Auto Adjust functionality in the main toolbar.
To do this, tick Keystone in the drop-down menu of Auto Adjust. The Keystone Guides have been redesigned to easily place them with greater precision. Additionally, the precision of the guides can be fine-tuned using the keyboard arrows when a guide is selected.
To allow the Keystone Tool to provide perfectly vertical and horizontal lines when correcting perspective using the Guides, the new adjustment type Skew has been introduced. Additionally, the default Amount is changed from 80 to Decreasing this after using the Guides is useful in some scenarios where creating a more natural perspective is desired as opposed to perfectly vertical or horizontal lines. The algorithm behind Auto Rotate has been improved, providing more accurate results on images where clear lines such as horizons horizons are visible.
Important functionality is no longer hidden behind drop-down that could only be accessed through long-pressing the icons. Instead, a redesign of these icons and menu behaviors makes it intuitive and easy to use.
Most icons have gotten a downwards arrow that will open the menu, and all menus can be opened by right clicking their icons. The affected areas are:. Capture One has always sorted images by Name as default.
So why I have this sort of slight obsession with shooting old doors and things like that and recently in Tokyo, down this small street, I came across this one and I fail every time to stand myself perfectly in front of the door and get it nice and square. So even though I thought I was dead on, clearly, I wasn't, um, that's just pop color balance and color editor away for a second. Fortunately, there's this super awesome curse.
It'll this one here, which is the keystone to So you can see we have Keystone Vertical, Keystone, horizontal and both. So this is really good for correcting perspective on, you know, like buildings, especially the falling down building sent syndrome, where you point the camera up on the building drops backwards or for photographers like me, you can't stand straight.
So if I choose the two way keystone like so you can just see these faint lines are move from up here so you can see it better with a circle in each corner. So what I need to do is drop this circle or The mistake I made. So this is Theo, the area that I want to be square, essentially. So now in the middle, there's a button that says, Apply if I tap that thin straight away It snaps to as if I was standing correctly in front, so it's no on automatic process. You, of course, do have to drop those lines on it, but it gives you a really good result.
What it's actually doing is if we go to the lens tool and we look a keystone, then we can see it's dialed in some values for vertical and the horizontal.
So if I grab vertical, for example, you can see exactly what the keystone tool is doing. And if I was to grab horizontal, then it's going in this direction. So by dropping those you know for corner points in there, then capture. One can do that calculation for you and fix it. So let's just make sure that's correct and say apply, and then straight away there it goes. Now, by default. The reason being, if you perfectly correct a building. It looks kind of a bit strange.
So it looks too good, because even if we stood on the street now, we looked at a high rise. There's also this really handy slider called aspect, which will actually squash the image in either plane so you can make something look a bit taller or look a bit flatter as well. So that even works on people. If you want to stretch them out a little bit, it can work quite nicely.
Okay, so I've, um, corrected my key stoning from this to this so that look much better. So if I press see on my keyboard just to figure out the crop that I want, incidentally, if you've done um, like a heavy keystone correction, you'll find there's a little button in the crop tour that says crop outside of the image.
So that will actually let you go beyond the boundaries of the actual image. And then you could fill those areas back in info to shop, for example, like with content, aware fill or something like that.
So you'll see here if we go over there. There's the the adjustment that capture one had to make on that image. But if I take crop outside of image, I can freely go about anywhere in that space. But I don't need to in this case. So let's just talking my crop like so and have a bit of the front h on my keyboard, like so No years get rid of that so h on my keyboard.
And I'm happy that so now back to what we normally do looking it. Exposure and levels exposure might just need a little tiny bump. Our press a for auto on levels, and that's going to set my points quite nicely.
And maybe the mid tones are a bit bright, so we just grab this down like so equally. Once again, most images always benefit from a little bit of clarity.
So if I open up the clarity pushing in this direction once again, clicking on the clarity name, we can see before and after and remember, that's the mid tone contrast adjustment. It's very safe you shadows and very safe for the highlights And don't be afraid, Teoh.
Push it hard as well. Actually, in this case, I think I choose punch because we have these nice colors on the door. And if you remember, what punch does is just lift up the saturation a little bit as well. So don't be afraid to push it quite hard. The image can take it. And finally, do we want to see into the shadows? Perhaps a little bit more. So let's just open up shadows ever so slightly, just going to check my exposure warnings.
So I had a feeling that once I changed the exposure, we just clipped a little bit to, let's say, a full auto on. Then we should be fine. It's nothing worse than having a completely blown out highlights, especially if you print it.
It doesn't look great on, certainly on the Web. When it gets compressed, a bit more doesn't look great weather. So I've got.
If we look at the values just hanging on to some form of dot on there, if you like sharpness and structure wise, it's great. Might just do a little bit of structure just a tiny bit, and then I think I'm happy with that lens wise, I might prefer, in this case that it doesn't vignette now.
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